Making great online videos

Regular readers of this blog will know that I am gradually going through David Ogilvy’s book “Confessions of an Advertising Man” and giving a 21st century spin to all the various chapters. This time it is all about making good TV commercials.

What would David make of today’s world where people probably spend more time online watching video than they do in front of a TV? In his book he said that “the purpose of a commercial is not to entertain the viewer but to sell to him”. I think he’d love the fact that the recent Old Spice YouTube campaign (apparently) helped double sales. If you look at this report on ZDNet “Video is now the fastest-growing segment of the Internet advertising market. Digital video amounted to $477 million in revenue in the first half of 2009, up 38 per cent from the same time period in 2008, according to the Interactive Advertising Bureau”.

David also said that on television “what you show is more important than what you say”.  If that were the case would he have hated the Johnnie Walker Keep Walking online video campaign? We live by new rules it seems.

He had many useful tips for people of his day such as making the product the hero of the commercial. Online there seem to be no rules other than be noticed and talked about. That’s a challenge compared to Ogilvy’s day where he said that the average consumer, “poor dear” was subjected to 900 commercials a month (interestingly the consumer in those days was uniquely female). How many video advertising messages do we see each day? He was spot on when he said they needed a “touch of singularity”.

Ogilvy compared the TV screen to the cinema screen and gave tips for working on the smaller format. Now we have video banners in the middle of cluttered websites. But that might not be the only thing holding online video back from truly taking over. According the Tech Crunch there are still many issues to solve such as lack of standards and problems with distribution. Read the full article here.

Those who have already understood the potential of online video know that it is not just a passive experience. The Barnardos Turnaround video banner campaign included interactivity so the viewer could experience how their help can make a difference. To quote their Cannes award winning entry description “a young girl tells the story of her journey into despair. By clicking and dragging the slider, you can physically turn the entire banner around, and the film then plays in the other direction with a different voice-over, showing the tangible impact Barnardo’s can have in turning a young person’s life around”. Click here to try it.

Another amazing project from the Netherlands used video within social networks and made the viewer part of the action by bringing in their photos, name and more. Commissioned by the Dutch Ministry of Justice, the campaign was “aimed specifically at young citizens to raise awareness about cybercrime in a way that is relevant to them. 85% of Dutch youngsters have a profile on social network Hyves, which they use on a daily basis”. The agency Kong “created a frighteningly realistic ‘ambush’ on Hyves: a tailor-made, personalized action video in which you could trick your friends by sending the Cybermaffia after them. In just 7 days, the campaign was viewed over 5 million times and sent-to-friends over 7 million times, making it the most popular social media viral campaign in the Netherlands ever”.

And finally, online video differs in that you can show some things that would never be allowed on TV (although knowing the French this would have been on primetime:)

It would be great to hear David’s view of online video commercials. Would he be intrigued by the possibilities or just say “if they don’t sell they aren’t creative”.

Aides graffiti from notsobadforfrenchy on Vimeo.

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iWant an iPad

Been on vacation for most of July so apologies for being so quiet. At my hotel in Greece there were two public PCs connected to the web. Unfortunately they were being hogged by teenagers on Facebook. Mostly kids from the Czech republic. Sitting waiting for them to get bored and let me use the computer I learned a few things. Text speak is the new universal language (forget Esperanto) and photos of teens partying look the same in every culture.

No wifi connection or else I could have connected my iPhone to get online. Or the iPad I don’t have yet. Here are a few reason why I want one more than ever…

Flipbook

A lot of chatter about this one and the potential issues it might face with copyright. But for now it is a great idea for a way to bring social content to life.

Audi Magazine

According to The Next Web blog “the imagery in the app is gorgeous, but of course a lot of that comes down to the print magazine quality car shots. The app also includes text and video that can be expanded to full screen, which runs very smoothly. However, the app isn’t innovative because it’s looks good – it’s innovative in how it stitches the content together”. Read the full review here.

I’m still holding out for the next generation iPad even if the first version isn’t even on sale yet here in the Netherlands. I guess that gives me time to save up my pocket money and for more amazing apps to be developed.

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Week of Tweets #15

Last update before the holidays. Things have been a little quiet after all the Cannes fuss died down. But there were still a few gems…

RT @glueisobar: Nice campaign for Dulux: have a read of the blog and watch the film in HD on YouTube. http://www.letscolourproject.com

  • It’s been a while since anyone has “Done a Sony” but this campaign by Euro RSCG London does it and more. They are actually making the world a brighter place too.

Inspiring. RT @davidgillespie: Designing the Design Problem – Nice deck from Frog Design’s David Sherwin.

Great thoughts… RT @RobMurrayUK: RT @albionlondon: Albion Blog: How do you make something go viral?! http://bit.ly/bv9Omh by @p6_ndp
  • Good advice including – Launch at exactly the right time, make people want to share it, make it simple to share it and hit the influencers. Read the full article here.
Hilarious rant (with some painful truths) RT @PSFK: George Parker: Should We Can Cannes? http://su.pr/2TcVqH
  • I love it when people get angry. Here is one classic quote about the bean counter in advertising, “Their concern is about how many people can I lay off this week before I collect my performance bonus, stuff it into my numbered bank account beneath the sidewalks of Zurich, and flee the country before the fucking wheels fall off my so-called “Agency of the Future.” An exercise otherwise known as free-market capitalism”.

Another great cover. RT @mattbuchanan fantastic @Newyorker cover. Cute, and then it socks you in the gut: http://bit.ly/djMDEG

How Nike keep doing it… RT @danpankraz: #nike ‘we don’t do advertising, we do cool stuff’ http://bit.ly/2LY7ON
  • Very few brands achieve the same kind of status in the consumer’s mind as Nike. They say it is by “an underlying commitment to their core brand idea, having inspiration and innovation as core values and being part of the customer’s life, infusing the brand into the cultural consciousness” and more…
iLike! RT @PSFK: What An iAd Looks Like http://su.pr/2W9GpL

  • Looks like the iAd is going to be the next big money spinner for Apple. Don’t you wish you’d bought shares before in good old 1999?

Layar killer? Qualcomm unveils augmented reality platform for Google Android phones – at http://bit.ly/9tsF7B

  • You don’t here much about Qualcomm but this could be a good way for them to find a new niche. Until people get bored looking at the world through their phone screens.

Small screen 3D. NYTimes: Did a Speeding Car Just Jump Out of My Cellphone? http://nyti.ms/cFpg3u

  • Meanwhile, mobile phones are going 3D!

and finally…

This may be my last blog post because: Prince: ‘The internet is completely over’. The purple one speaks out… http://bit.ly/aRP1ff

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Chrome Fastball

Since Google own YouTube they are free to do things nobody has done before.  Check out the Chrome Fastball game that demonstrates how much faster their browser is. And how fast your brain works too.

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Shift Happens

Great presentation from Aki Spicer, Fallon’s Director of Digital Strategy who conducted a workshop at VCU Brandcenter’s Executive Training Program for account planners.

“The Engagement Opportunity” outlines the evolving role and function of strategic planning in this age of digital and social technologies and proposes a methodology for integrated creative ideation.

No doubt Aki added a lot verbally but there is still a lot of good stuff to get out of this.

View more presentations from akispicer.

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Digital roars at Cannes Lions

It has been an exciting week at Cannes for anyone who has been slogging away in the digital space for many years. Finally it has taken its true position as the driver of 21st century marketing communications. Digital has extended its reach into direct, promo and activation in an unprecedented way this year. What is clear however, both in the Cyber Lions and the other categories, it is that digital combined with the physical is where the magic happens. Let’s see some of the winners:

A gold winner in Promo and Activation from Ester Stockholm. To help prevent aids they developed a campaign where unique numbers were put on condoms given out. People could then go online to tell their story of how the condom was used. “By printing 100 000 condoms with numbers we gave every condom a story to be told by whoever got lucky with it. Every condom-package contained a uniquely numbered condom and a text that encouraged the recipient to share the condoms fate, by uploading his or her story at the blog kondom08.nu The 100 000 condoms became the message, the media and also the solution”.

Also in Promo & Activation, BBDO New York won gold for their HBO Imagine campaign in the category Best Use of Internet/Online Advertising in a Promotional Campaign. The video speaks for itself – it shows how creative ambition can now be fullfilled online if you have the ideas and the budget to match.

In the Direct category the Grand Prix went to a campaign that could not have been possible without the power of digital. Special Group in Auckland developed a campaign for ORCON Broadband that “created a world-first event, a chance to re-record ‘The Passenger’, live online, with Iggy Pop. Our direct response objective was two-fold: Attract a large enough pool of talented auditions to ensure we could select our virtual band. Maximise the country’s engagement with the auditioning process. The call for auditions went out first to Orcon’s customer base, to its facebook friends, and via online advertising. This was then extended by 15” TVCs and street posters calling for people to Play live with Iggy Pop. Entrants then uploaded auditions directly to a specially built facebook application, where they could be browsed”.

Gold in Direct also went to BBDO and Ester for the two campaigns already featured here. Meanwhile, in the Cyber Lions, the Grand Prix went to the Nike Chalkbot from Wieden + Kennedy featured on this blog a few times and the Volkswagen FUN THEORY campaign from DDB Stockholm.

As they say on their entry, “Volkswagen asked us to create a campaign that would generate interest around BlueMotion Technologies. A series of cars and innovations that help reduce environmental impact without compromising on performance or the joy of driving. Our insight was that VW made it easier to choose an eco car by making them more fun to drive. Our solution was a theory, focusing on the thinking behind the cars; that the easiest way to change human behaviour for the better is by making it fun to do”.

We’re back to sex again, this time with a Gold winner from TBWA Paris in the category Banners and Other Rich Media: Charities, Public Health & Safety, Public Awareness. Rather than just stick with the simple video in a banner, they “took Willy, a young potential stud, in an expandable banner, to deliver the message in an interactive and playful way. Never moralising. Always fun. So, the story line, the actors and the location are the same… now discover a (more) hands on user experience. Don’t be shy, grab Willy (he wont mind) and celebrate happy safe sex.”

Lots of other Gold winners have already won awards this year so they are the obvious (but still worthy) choices. We choose the Moon, IKEA Facebook Showroom, and Monopoly City Streets to name but a few. Check out all the Cyber Lion winners here.

Just a final thought. While I was there I took a look at all the Titanium Integrated entries being shown in various screenings. Socially conscious campaigns driven by social media seem to be the flavour du jour. It all became one big blur. You could have switched brands and never have noticed. In the attempt to be “of the moment” many campaigns came across as being too “try hard” or bandwagon jumping. The real creative challenge is to stand out in all of this white noise. My bet for next year? Social media may be seen by many as “so yesterday” and the baby will be thrown out with the bath water.

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Google Box

So this is how Google sees the future of TV. Maybe they could hire a few interface designers from Apple because this looks as ugly as hell. Then again, if the rumours are true, Apple could soon be reinventing their own Apple TV so it knocks the sock off this. Meanwhile, Yahoo are also playing in this space and this could mean that web-enabled TV will be the new battle ground for the big players because the mobile war just isn’t enough.

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AR loves NY

Augmented Reality is becoming more mainstream. This time it is Time Out New York that presents their Augmented Reality Bar Guide. On their site they announce that “Time Out New York has partnered with junaio, the augmented reality browser, to create the first-ever mobile summer-drinking guide. With just a smartphone, you can unlock summer drink specials around town—just by pointing your phone”. Check it out here.

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YouTube 3D

You may already have seen this 3D video projection for Samsung that happened recently at the historic Beurs van Berlage buildingin Amsterdam. To promote the brand’s new 3D LED TVs, from June 7th, the projection was integrated into the first game-take-over on YouTube, where a seemingly-standard video of the projection is embedded in a YouTube page that cracks while butterflies start flying out of the projection. A video game ensues, in which you rack up points by clicking on the butterflies, and the new dimension of Samsung 3D takes over the page.

If it is still live you can see it here on YouTube.

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How to write potent webcopy

As regular readers know, I’m going through each chapter in David Ogilvy’s book “Confessions of an Advertising Man” while giving them a digital update. When I came to the chapter “How to write potent copy” I realised that not being a copywriter might put me at a disadvantage. So I called upon my colleague Henk Nieuwenhuis (creative director and copywriter at Ogilvy Amsterdam) and asked if he would be my guest writer. He agreed and below are his words. Thanks Henk!

What’s so interesting about Shakespeare that we still perform his plays? Well, he wrote about things that move people and make us feel alive. Then and today. Things like ambition, desire, friendship, treason, greed, envy, love. He wrote about eternal human truths. Good copywriting should do the same. Because good copy is not about pretty writing, it’s about finding a way to touch people’s hearts and minds.

Does this apply for David Ogilvy too? Does his advice stand the test of time and still hold true in the digital age? Let’s have a closer look at his copy confessions in the chapter of his book titled: ‘How to write potent copy’.

Should you read on?

Ogilvy starts with the headline, as being the most important element in most advertising. Why? Because this is the first moment your reader makes the decision: should I stay or should I go?

Now, of course David talks about ads. But the principle  of starting off with a strong trigger to grab the attention holds true for direct mailings, radio and tv commercials, banners, e-mails and landing pages alike. His motto ‘you can’t bore people into buying your product, you can only interest them’ is the universal underlying truth about writing effective copy for any commercial means.

Back to the headline. On the internet it could be as much as the subject line of your e-mail. Much is written about subject lines, as to how many characters work best or how explanatory it should be.  Because the nice thing about subject lines is, that they can easily be tested. By mailing different subject lines, you see what works better in an instant and for free. And what do we see? That David’s tips also work for the web Check them out:

1.     Interest your audience in your offer. Talk to them directly and put the product or the problem in the copy line. This still makes sense.

2.     Appeal to people’s self-interest. Still valid: what’s in it for me? was, is and will be the eternal question for any commercial message.

3.     Put some news into the headline. He states that the words free and new are the most powerful ones. Still true.

4.     Mark your words. Use emotional ones. And especially for the web: take SEO and spam filters into account .

5.     Include the brand name in your heading. If readers don’t see it already in the sender column where they make the first shift between read or delete.

6.     Write long headlines with the selling promise. True: subject line tests prove that the clearer you are, the more clicks you get.

7.     Make the reader curious.

8.     Don’t write tricky headlines –puns, allusions, obscurities- David says. And he’s right. I once rewrote copy for an online member-get-member promotion that didn’t live up to expectations. I took the fun and wit out and put the promise and explanation. Results went up 5 times.

9.     It is dangerous to use negatives in headlines.

10.  Don’t write blind headlines you only understand when you read the rest of the copy.

Have a chat with a dinner companion

When it comes to writing the body copy, Ogilvy suggests you’re should pretend talking to a woman sitting next to you at a dinner party. Talk to her in simple language. Try to convince with facts. Use your wit. Can you lead her into temptation?

This reminds me of the Dialog Method of the well known direct mail-professor Herr Doctor Siegfried Vögele, the offline equivalent of the usability-guru Jakob Nielsen. Both of them agree with Ogilvy when he states your copy should go straight to the point. Be specific and factual. And don’t be a bore.

Does size matter? Well, people always seem to have been intrigued about length. Even in his days, there was a popular belief that people don’t read long copy. On the internet it’s the same story. Best advice here is to start short, grab the attention and state your case upfront. It’s the inverted pyramid-principle: start by making your point first, than build on it. The deeper you get in the website, the longer your copy can be: now your reader wants to read. He has clicked, hasn’t he? So reward him.

As we come to the ultimate goal of copy, the idea is the same: your copy should be a complete sales pitch for your product. The really fundamental change is the fact that people don’t read from A to Z anymore – although I’m not sure they ever did-, but they hop, skip and jump through the pages and only read what they think is attractive. Online you make the sale in several steps. Can you make every step a relevant one?

David suggests you always include a testimonial. Well, the internet serves us well here, as user generated content is the latest big thing. You don’t even have to include it yourself: they will talk about your brand and product anyway. Using celebrities or giving advice, as David suggests, can help to spread the news online. We even can add the viral effect if testimonials are funny or remarkable in any other way.

His tips on style are also valid today. Don’t be pompous and avoid bombast but write normal plain language. The classic DM copy rule that you are always talking to a 14 year old, applies also for webcopy. Use short words, short sentences, short paragraphs and make your copy personal.

Don’t just entertain. Don’t write copy for copy’s sake. Write to get results.

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